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Old 07-05-2010, 07:23 PM   #9921
jredford
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Great shots guys!
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Old 07-06-2010, 08:49 AM   #9922
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i've been toying around with the idea of getting some cheap lighting kits for messing around taking portraits of my girls (and maybe, eventually, if i ever get decent enough at it, pics for family members kids or something). i don't want to break the bank, so curious what others have used for "studio kit lighting". ryan, haven't you done some of this? hammer?

i keep eyeing this kit here........
http://www.amazon.com/PBL-PHOTOGRAPH.../ref=pd_cp_p_2

.... but then there's also this kit, which is similar, but more light.....
http://www.amazon.com/Fluorescent-Ph.../ref=pd_cp_p_2

not sure which path to go. anyone have any thoughts?
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Old 07-06-2010, 09:21 AM   #9923
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Years ago, I used a 'tungsten' continuous-lighting system. I always fought the heat, and had trouble with white balance. Perhaps the flourescent tubes are better, but I think you'd regret not getting 'strobes'.
Here's the current monolight I use for portraiture. You remember Sally .... don't you dipps !

http://www.adorama.com/FP320M.html

I put it into a 24" sofbox, and use a large white foam-core reflector on the other side.
Total cost = approx. $175 (for one).

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Old 07-06-2010, 09:25 AM   #9924
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Quote:
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but I think you'd regret not getting 'strobes'.
why do you say that? (i'm asking cuz i'm definitely no expert on the subject)
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Old 07-06-2010, 09:29 AM   #9925
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HEAT, and (probably) the inability to get the shutter speed / aperture that you want. Continuous lighting systems are always underpowered. If you make sure your subjects set perfectly still, you can get lucky !
For portraiture, you'll usually use f/8, plus up to a 1/250 second SS. Try that with continuous lights.
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Old 07-06-2010, 09:57 AM   #9926
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huh. i may have to study up a bit more.

did you read the descriptions/details on either of the two kits though? they come w/ color corrected bulbs (tho i'm not so foolish as to believe that they're "pro" caliber), and the one set as four lights, or 1200w. you feel that even that set would be underpowered?
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Old 07-06-2010, 10:02 AM   #9927
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I'm with hammer, hot setups are well... hot! Kids and fire hot bulbs is what got me away from them. I have a very cheap strobe setup, and if I had to do it over again I would go with pocket wizards and two 430 or 580 flashes, and get umbrellas cause soft boxes eat light bad. You then have a super portable setup you can take anywhere.

Trying to meter strobe can be challenging , especially since the the more lights you have the harder it gets. If I were in ur shoes I would buy a pocket wizard and use your current flash and test the waters with on light source. I find flash photography very challenging, so DD might be a better resource then myself.
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Old 07-06-2010, 10:08 AM   #9928
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Ryan has some good ideas, of course ! A 'strobist' setup with 430's or 580's is a fun way to go ..... especially because of the portability.

Dipps --- you realize (i'm sure) that the continuous-lighting systems can't be adjusted for output. You have to either change the light-to-subject distance, or change your camera settings to compensate. With a strobe, you just dial in the output that you desire.
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Old 07-06-2010, 10:12 AM   #9929
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Quote:
Originally Posted by ryan the geek View Post
I'm with hammer, hot setups are well... hot! Kids and fire hot bulbs is what got me away from them. I have a very cheap strobe setup, and if I had to do it over again I would go with pocket wizards and two 430 or 580 flashes, and get umbrellas cause soft boxes eat light bad. You then have a super portable setup you can take anywhere.

Trying to meter strobe can be challenging , especially since the the more lights you have the harder it gets. If I were in ur shoes I would buy a pocket wizard and use your current flash and test the waters with on light source. I find flash photography very challenging, so DD might be a better resource then myself.
Umbrellas are great for large groups, ryan, BUT, soft boxes are much more controllable (light spill), and well, 'softer' !
Oh, I have some umbrellas also, although I generally use them in shoot-thru fashion.
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Old 07-06-2010, 10:29 AM   #9930
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Here's the kit that I'm eyeballing. Its an economical kit that gives me the flexibility to go with umbrella or pseudo softbox (those black covers can be put on the inside as well).

http://www.bhphotovideo.com/c/produc...lla_Mount.html
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Old 07-06-2010, 10:59 AM   #9931
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that looks like a nice one, too. maybe i should wait for you to get it, then tell me how much you like it.
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Old 07-06-2010, 11:00 AM   #9932
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With a strobe, you just dial in the output that you desire.
good to know.
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Old 07-06-2010, 11:57 AM   #9933
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that looks like a nice one, too. maybe i should wait for you to get it, then tell me how much you like it.
You have the same flash as I do and after digging around potn there are lots of speed flash guys that have great portrait results with this kit. And $100? That's a cheap experiment in my book.


Did you read the 199 reviews?
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Old 07-06-2010, 12:07 PM   #9934
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You have the same flash as I do and after digging around potn there are lots of speed flash guys that have great portrait results with this kit. And $100? That's a cheap experiment in my book.


Did you read the 199 reviews?
no, i didn't read all 199.

and do you already have two 430EX II's? i only have one.
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Old 07-06-2010, 12:32 PM   #9935
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no, i didn't read all 199.

and do you already have two 430EX II's? i only have one.
No I have one 430 and an old flash from my film days that I recently dug out (Vivitar 2800). I just picked up the Cybersync system to fire both flashes (I really dig these so far!) so now I want some umbrellas to mess around with.

Because my cheap vivitar isn't power adjustable I'll probably pick up either a Sunpack 383 or 540ez as a 2nd flash since they can be had for cheap.
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Old 07-06-2010, 12:34 PM   #9936
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any link to the cybersync?
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Old 07-06-2010, 12:46 PM   #9937
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Here ya go:
http://www.alienbees.com/cybersync.html

Pocket Wizards seem a bit steep for the average joe and the cybersyncs get great reviews at a much cheaper price point. I ended up purchasing some mint used cybersyncs and they work beautifully (plus they're well built).
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Old 07-06-2010, 12:56 PM   #9938
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sorry, but i forgot which camera you have...... do you have a 7D? if so, is a cybersync necessary with the 7D's wireless flash control, or no? i'm not as studied up on this flash stuff as i'd like to be, as i've devoted what little reading time i have of late to trying to figure out a decent investment portfolio for my roth ira's.
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Old 07-06-2010, 03:21 PM   #9939
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sorry, but i forgot which camera you have...... do you have a 7D? if so, is a cybersync necessary with the 7D's wireless flash control, or no? i'm not as studied up on this flash stuff as i'd like to be, as i've devoted what little reading time i have of late to trying to figure out a decent investment portfolio for my roth ira's.
I'm pretty sure the 7d uses light pulses to communicate among the flashes, so there is line-of-sight issues, plus you are range limited. IMO, you're better off using radio freq to control flash.
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Old 07-06-2010, 03:25 PM   #9940
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I'm pretty sure the 7d uses light pulses to communicate among the flashes, so there is line-of-sight issues, plus you are range limited. IMO, you're better off using radio freq to control flash.



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